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Blackkklansman

Blackkklansman

Spike Lee’s complex crime thriller exploring black power, white supremacy, and the nature of political and racial violence in the 1970s begins strongly but ends with a didactic moral lesson that betrays the lack of faith it has in its audience.

Appaloosa

Appaloosa

A rather dull, slow-paced western that is more about its dysfunctional romantic relationship than gun-slinging, horse-riding, bandit-chasing action.

Amistad

Amistad

This film explores the horrors of slavery through an atypical lens in exciting and moving ways, but runs out of gas by the end and barely drags itself across the finish line.

The Mad Miss Manton

The Mad Miss Manton

Funny, charming, witty; it’s a screwball crime comedy about socialites solving a murder, and maybe falling in love along the way. What more is there to say?

The Driver

The Driver

Stripped to the absolute bone, this odd amalgam of muscle car thrills and arthouse aesthetics inspired a future generation of filmmakers but doesn’t quite have the oomph it used to.

Wolfs

Wolfs

Two likable stars recapture the energy of their past collaborations in this crime comedy, neo-noir hangout flick.

The Red Shoes

The Red Shoes

Richly realized and beautifully shot, this tale of artistic passion and dangerous obsession is a true cinematic masterpiece.

The Package

The Package

Despite a few flaws, this forgotten forerunner to the wave of 90s thrillers mixes political intrigue with tense drama in very enjoyable ways.

Shanghai Express

Shanghai Express

A character drama first, and a kind of adventurous spy thriller second, this Marlene Dietrich star vehicle accomplishes a great deal despite being constrained largely to one train and two train stations.

Bicycle Thieves

Bicycle Thieves

The quintessential Italian neorealist film succeeds at capturing a slice of life tragedy within the context of post-war Italy, but doesn’t succeed at living up to the hype that surrounds it.

Freebie and the Bean

Freebie and the Bean

This early form of the buddy cop comedy has its sensibilities stuck somewhere several decades before what a modern audience likely finds acceptable.